![]() You also happen to look at your prescription and start to wonder what all those letters and numbers exactly mean. Combining scholarly content analysis and pedagogical sagacity, the book has a broad appeal for scholars of the early modern Spanish Empire, animal studies scholars, and secondary and postsecondary instructors looking for engaging exercises and information for their Spanish language, culture, and history students.Now that you just finished having your eye exam, you have your prescription in your hand and you’re wondering what style eyeglass frames will look best on you. ![]() He also contributes to growing scholarly conversations on the importance of Spain in the history of science by examining how animal spectacles had profound repercussions on the emergence of the modern zoo and natural history museum. enriches our understanding of the role of animals in the development of commercial theater in Spain and in the modern bullfight. In presenting and analyzing their stories, Beusterien. In Transoceanic Animals as Spectacle in Early Modern Spain, Beusterien christens five previously unnamed animals, each of which was a protagonist in a spectacle: Abada, the rhinoceros Hawa’i, the elephant Fuleco, the armadillo Jarama, the bull and Maghreb, the lion. It proposes a wholly revisionist understanding of geographyin a pivotal age of expansion and offers a crucial historical perspective on our own global culture as it engages in a media-saturated world.Īnimal spectacles are vital to a holistic appreciation of Spanish culture. By scrutinizing these materials from the perspectives of both producers and consumers–and paying close attention to processes of cultural mediation–Inventing Exoticism interrogates traditional postcolonial theories of knowledge and power. The form of early modern exoticism that sold so well, as this book shows, originated not with expansion-minded imperialists of London and Paris, but in the canny ateliers of Holland. Inventing Exoticism meticulously analyzes these, while further identifying the particular role of the Dutch“Carryers of the World,” as Defoe famously called them–in the business of exotica. At the turn to the eighteenth century, European markets were flooded by books and artifacts that described or otherwise evoked non-European realms: histories and ethnographies of overseas kingdoms, travel narratives and decorative maps, lavishly produced tomes illustrating foreign flora and fauna, and numerous decorative objects in the styles of distant cultures. Inventing Exoticism draws on a vast range of sources from history, literature, science, and art to describe the energetic and sustained international engagements that gave birth to our modern conceptions of exoticism and globalism.Illustrated with more than two hundred images of engravings, paintings, ceramics, and more, Inventing Exoticism shows, in vivid example and persuasive detail, how Europeans came to see and understand the world at an especially critical juncture of imperial imagination. ![]() The shapes and meanings of the extraordinary global images that emerged from this process form the subject of this highly original and richly textured study of cultural geography. As early modern Europe launched its multiple projects of global empire, it simultaneously embarked on an ambitious program of describing and picturing the world.
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